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Features of Renaissance art: human anatomy, contrapposto This fresco showed what Masaccio could do by himself but for God, and inspired others to continue finding things they could do for God in their own way. Instead, it could have been much simpler to use tiles, or use a single figure as the central focal point, but instead Masaccio chose this composition as if to show off to all who viewed The Holy Trinity. It is mainly the three figures of God, Christ and Mary who are the most detailed, but the figures of St. John, Mr Lorenzi and Mrs Lorenzi have an aura of almost statuesque figures, as although they are proportionally accurate, there is no movement in their stance and no drastic expression on their faces. By representing god as a man, Masaccio is invoking the idea that “of all things, the measure is man” and is bringing God down to the same status as man- human and grounded. Thus, the figures within The Holy Trinity (including Christ, God, the Virgin Mary, Saint John and Mr and Mrs Lorenzi) all look to be of accurate size within the Fresco. Gombrich describes its effect in his 1995 book, ‘the story of art’ as, “we can imagine how amazed the Florentines must have been when this wall-painting was unveiled and seemed to have made a hole in the wall through which they could look into a new burial chapel.” within this deceitful space is an arched ceiling with barrel vaults lining the inside- again, this is a classical architectural feature inspired by ancient Greek or Roman buildings. These barrel vaults are also what aid in Masaccio creating single point perspective, so they serve a functional and aesthetic purpose in The Holy Trinity. D. Baroque Art. )realism c.)abstract art d.) Medival art 3.) Access to knowledge, Which accurately describe ideological differences between Catholicism and humanism during the Renaissance? (Select all that apply.) Through his skill in painting, Masaccio managed to achieve a level of realism in the figures of his Holy Trinity fresco unseen in the Early Renaissance. In medieval art, god was often represented by a hand… as though god was an abstract force or power in our lives, but here Masaccio imagines god as a man. This art technique is called “Trompe-l’oeil”, which is French for “deceive the eye”. Masaccio has skilfully created a convincing deep space, which looks as though you can actually step into it. Features of Renaissance art: Perspective, Rome Reflection of the Renaissance and humanism: Appreciation of individual Roman architecture and antiquity Patrons putting themselves in their work. The 2015 Khan Academy clip states that here, “Masaccio is doing in painting what Donatello has already done in sculpture – creating figures who are deeply human and real.” Starting with the Virgin Mary, her realism presents itself through not only her facial expression, but also in the gesture of her hand where it is an s if she is presenting her crucified son to the viewer. How does the Holy Trinity by Masaccio express the 15th century Renaissance humanism? B. Medieval Art. — The vanishing point is situated on the step where both patrons kneel. This fresco depicts god in a human form which resembles a man, this was rarely done as many Catholic Church did not allow it. (Select all that apply.) He did this in his fresco called The Holy Trinity, in Santa Maria Novella, in Florence. Holy Trinity by Masaccio 1427 – 1428 Introduction Western art has advanced and transmuted over many centuries, but the root of most of is linked to ancient Greece. 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